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With a little time and practice, you can edit images using free trial programs as well. There is even now an online community resource called Download Photoshop, where you can get free trial software for most of the major software vendors — including Adobe, Corel, and Sony — and even for some printer vendors. Just do a search for free trial software at www.downloadsoftware.com.

Photoshop has been produced in a number of editions since its first release. Here are the versions that you may encounter:

• Photoshop CS5: A midrange version for users who need the best features and the best performance.

• Photoshop Elements: A budget-friendly version for beginners who would rather pay for the basics and expect lower quality.

• Photoshop CS6: The most powerful version of the program. It has everything that Photoshop CS5 has as well as advanced features that help you maximize your creativity.

The CS6 is the latest version and offers the most powerful features available.

Getting Started with Photoshop

Photoshop CS6 starts with a splash screen, similar to the splash screen that you see when you start Windows 7. (Sorry about the name, but it seemed the easiest way to explain how the screen looks for Photoshop CS6.)

After the splash screen, you see the Welcome screen, as shown in Figure 2-1. This screen lets you know the basics of the program.

**Figure 2-1:** This screen can get you started on a project using your own high-quality images.

The Welcome screen also enables you to access the User Guide, which contains information about almost every aspect of the program. The User Guide is one of those things you should read early on so that you can get a good idea of how Photoshop works. You may consider the User Guide the official “Photoshop manual,” but that’s not entirely accurate. Even though the User Guide contains everything that you need to know to use Photoshop, it provides only the basics.

To access the User Guide:

1. Click the Help button on your computer’s keyboard.

You see the Help system, as shown in Figure 2-2.

**Figure 2-2:** The Help menu is accessible on your computer’s keyboard.

2. Click the Help menu item to access the Help system.

You find the User Guide in the Help menu.

The Help menu allows you to access tutorial screens, move from one window to another

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The following features are found in Photoshop, and much of it can be done without switching to Photoshop Elements. However, there are advantages to switching to Photoshop Elements over Photoshop.

Layers, Selection, and Masking

Layers and selection are two main features found in Photoshop that can be used in Photoshop Elements. Layers add extra dimension to your images. They let you add a new layer, change the fill, change the size, make changes to the background, and make a text layer.

Layer effects like blur and blur filters

Fixing and removing objects

Selecting and clipping

Adding a new layer to an image

Curves

The Curves feature is used to distort an image. You can try to stretch an image to fit a particular aspect ratio or add some blur or saturation to make images look beautiful.

Image adjustments

Layers, Selection, and Masking

You cannot edit layers or select layers in Photoshop Elements. However, you can select parts of an image, create layers, use the healing brush, and use the blur and gradient filters. You can crop an image to remove the unwanted parts of it. Photoshop Elements does not have warp, transform, and rotate layers, but it does have a transform layer.

You can apply common Photoshop selections like lasso, magic wand, and rectangular selections to your image. You can select a range of pixels and create selections in your image with ease.

Layers

Layers add extra dimension to your images. You can create layers and edit them. To create a new layer, select the layer you want to edit or select an existing layer from the layers menu. You can change the layer’s fill, resolution, size, use a text layer, change the document’s background, or make any other changes to the layer. You can add, delete, duplicate, or rearrange layers.

To make a layer’s size smaller, move the layer to the top, and increase its size. You can also move layers and adjust the size of a layer. You can adjust the transparency or visibility of a layer. To apply effects to a layer, select it and the Edit > Layer Effects dialog box will appear, where you can apply a layer effect to your image.

You can add text to a layer in different ways. You can draw a selection box, draw a vector text box, draw a line, select text on an image, type text, add filters to
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Q:

Makefile: I’m trying to prevent recursion when extracting pattern.1 but the recursive rule appears instead

I’m trying to make an extract of files in directory.
I have:
CURRENT_DIR = $(realpath.)

all: $(CURRENT_DIR)/pat.1

$(CURRENT_DIR)/pat.1:
./extract_files.sh $(CURRENT_DIR)

$(CURRENT_DIR)/extract_files.sh:
$(CURRENT_DIR)/remove_extract.sh
touch $@

$(CURRENT_DIR)/remove_extract.sh:
rm -f $@

But the extract_files.sh isn’t executed, and remove_extract.sh isn’t executed either.
Removing the list of patterns in the line $@ causes the pattern list of the extract_files.sh to also not be executed.
What am I doing wrong?

A:

The target $(CURRENT_DIR)/remove_extract.sh is not dependent on the output of $(CURRENT_DIR)/extract_files.sh. You’ll have to “introduce” the dependency by adding $(CURRENT_DIR)/extract_files.sh to the “recipe” of remove_extract.sh and “recipe” of extract_files.sh.
CURRENT_DIR = $(realpath.)

all: $(CURRENT_DIR)/pat.1

$(CURRENT_DIR)/pat.1:
./extract_files.sh $(CURRENT_DIR)

$(CURRENT_DIR)/extract_files.sh:
$(CURRENT_DIR)/remove_extract.sh
touch $@

$(CURRENT_DIR)/remove_extract.sh:
rm -f $@

clean:
rm -rf $(CURRENT_DIR)

dependencies:
$(CURRENT_DIR)/extract_files.sh
$(CURRENT_DIR)/remove_extract.sh

Edit:
If you don’t want to add explicit dependencies to a recipe, you can make the recipe depend on the default recipe:

What’s New In?

to be $\Phi = \phi_0 \log(\rho)$.

The tensor $T^M$ is $$T^M = \frac{N}{n}
\begin{pmatrix}
\mathbf{1} & \mathbf{1} & \mathbf{1} & \cdots & \mathbf{1} \\
\mathbf{1} & \mathbf{1} & \mathbf{1} & \cdots & \mathbf{1} \\
\vdots & \vdots & \vdots & \ddots & \vdots \\
\mathbf{1} & \mathbf{1} & \mathbf{1} & \cdots & \mathbf{1}
\end{pmatrix}$$ An element in the matrix corresponds to each agent getting its own stream of estimate. For agent $j$, the column in matrix $T^M$ that corresponds to agent $j$ is equal to $\left(\mathbf{1}^{j}, \mathbf{1}^{j}, \dots, \mathbf{1}^{j}\right)$ and it takes the value of $1$ in the $j^{th}$ position and $0$ everywhere else.

As in the discrete case, our proof technique will use the backwards induction on $T$. We can use the matrices of Figure \[fig:Ttensor\] to depict the desired matrix of accumulation. We order the agents according to the entries of $T$. In this case the ordering is easy to understand: the agent that has the greatest value in the first row will be agent $1$. The one that has the greatest value in the second row will be agent $2$ and so on.

Our goal will be to create a metric tensor such that $T$ and $T^M$ are identical. We will create this tensor as an induced metric on $T^M$ from the metric on $T$. We will begin by visualizing $T^M$ as a metric on agent $2$ and then expand $T^M$ to the entire tensor. The metric on agent $2$ will be presented in Figure \[fig:Ttensor2\].

![\[fig:Ttensor2\] The metric on agent $2$

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